Atomos Ninja V 5″ 4K HDMI Recording Monitor

Description

The Atomos Ninja V 5″ 4K HDMI Recording Monitor is a 5″ on-camera monitor/recorder that records and plays back up to DCI 4K and records to purpose-built mini-SSDs. This monitor can record Apple ProRes Raw up to DCI 4K60 directly from the sensor of select cameras. Display features include a 10-bit screen with a brightness of 1000 cd/m² AtomHDR technology for accurate monitoring of your log gamma footage, and support for popular log formats from Sony, ARRI, Canon, JVC, Panasonic, Nikon, RED, Sony, and Z CAM cameras.

Built to withstand the rigors of production, the Ninja V features an aluminum chassis and powers from a single L-series battery. Additional features include a variety of onscreen exposure analysis, framing, anamorphic de-squeeze, and focus assist tools. Separately available AtomX SDI, AtomX SYNC, Connect 4K modules, and an SDI Raw license key to further expand your Ninja V’s capabilities. Firmware update 10.61 brings customized timecode sequences that can be saved as a single file.

5″ Daylight Viewable Screen

The Ninja V features a 5″ IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color-calibrated from the factory to ensure accurate image representation.

Recording Codecs Including Raw over HDMI

• Record Apple ProRes and ProRes Raw with select cameras at rates up to DCI 4K60 and up to 120 fps in HD
• Enables ProRes Raw capture with smaller, more cost-effective, mirrorless cameras
• Avid DNx compatibility enables wide camera and editing software compatibility

Bright 5″ Display with AtomHDR

• Display ten+ stops of dynamic range of your camera’s log image with AtomHDR
• 1920 x 1080 display with 1000cd/m² brightness for daylight viewing
• 10-bit color processing and user calibration
• Supports custom LUTs

DSLR and Mirrorless Camera Support

Compatible with virtually any HDMI or SDI source, including cameras from:
ARRI, Canon, FUJIFILM, Nikon, Panasonic, RED, Olympus, Sony, and Z-CAM

4K 60p Capabilities

Record DCI or UHD 4K at rates up to 60 fps, including 24 and 25 fps for a more filmlike aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with 10-bit 4:2:2 chroma subsampling. A variety of bit rates are available to fit your project and storage needs.

SSD Recording

Record to standard 2.5″ SSD drives or to compact AtomX SSDmini drives offering up to 2TB storage. SSDmini drives offer read speeds up to 550 MB/s and write speeds up to 500 MB/s, capturing up to 150 minutes of 4K video on a 1TB drive.

User Calibration

Calibrate with the separately available X-Rite i1 Display Pro tool to maintain optimal color accuracy.

Anamorphic De-Squeeze

The Ninja V supports anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with 2x, 1.5x, 1.33x, or Panasonic 8:3 ratios.

Selectable Markers

A wide variety of frame lines include standard versions plus 1:1, 4:5, 1:91:1, and 9:16 options.

Game Capture

Simple, standalone solution for UHD 4K, HDR, and high frame rate game capture and review.

Audio Input/Output

Input/output audio via HDMI or add external audio via the 3.5mm Line In/Mic In port; output audio using the 3.5mm headphone port for convenient audio monitoring.

Optional Expansion Modules

• AtomX SDI Module for 12G-SDI input and output and HDMI/SDI cross conversion
• SDI Raw activation key
• AtomX SYNC for wirelessly synced, timecoded multicamera capture
• Atomos Connect 4K for HDMI to USB conversion for streaming up to 1080p60

Supported Log Formats

• ARRI Log C
• Canon C-Log, C-Log 2
• FUJIFILM F-Log
• JVC J-Log
• Nikon N-Log
• Panasonic V-Log
• RED LogFilm
• Sony SLog2, SLog3

HDR Recording (Gamut)

• ARRI Log CEI160, CEI200, CEI250, CEI320,
• ARRI LogCEI400, CEI500, CEI640, CEI800
• ARRI LogCEI1000, CEI1280, CEI1600
• Canon C-Log, C-Log 2, C-Log3
• FUJIFILM F-Log
• HLG
• JVC J-Log1
• Nikon N-Log PQ10K
• Panasonic V-Log
• RED LogFilm, RG310, RG312
• Sony SLog2, SLog3

HDR Monitoring (Gamma)

• ARRI ALEXA Wide Gamut
• BT.2020
• Canon Cinema, DCI P3, DCI P3+, BT2020
• JVC LS300
• Nikon N-Log PQ10K
• Panasonic V-Gamut
• Rec.709
• RED DRAGONcolor, DRAGONcolor2
• REDcolor2, REDcolor3, REDcolor4
• REDWideGamut
• Sony S-Gamut, S-Gamut3, S-Gamut3. Cine
• Sony SLog2, SLog3

HDR Monitoring (Gamut)

• ARRI ALEXA Wide Gamut (mapping to Rec709/BT.2020/DCI-P3 on loop-out)
• BT.2020
• Canon Cinema
• DCI-P3, DCI-P3+
• Panasonic V-Gamut
• Rec.709
• RED DRAGONcolor, DRAGONcolor2
• REDcolor2, REDcolor3, REDcolor4
• REDWideGamut
• Sony S-Gamut, S-Gamut3, S-Gamut3. Cine

Firmware Update 10.61

Time-Lapse
Record a time-lapse video as a single file
Available in ProRes, DNx, and ProRes Raw over HDMI or SDI
Time-lapse sequence options include:

• Number of frames/seconds captured
• Intervals between frames/seconds/minutes/hours
• Duration of sequence in frames/seconds/minutes/hours
  Compatibility Mode for HDMI and SDI Inputs
  Increases stability of input/output locking for 12G-SDI
  Improves signal locking from select cameras, including:
• Z CAM
• Canon EOS 1D X Mk II on 4Kp50/60 video
  Monitior Leica L-Log Gamma in BT2020 Gamut
• Supports Leica SL 25 only
• Support for other models available in future updates