Atomos Ninja V+ 5.2″ 8K HDMI H.265 Raw Recording Monitor

Product Highlights

  • 1920 x 1080 Touchscreen Display
  • HDMI 2.0 Input/Output
  • Record up to 8K30 ProRes Raw
  • 1000 cd/m² Brightness
  • AtomHDR 10.5-Stop Dynamic Range
  • Records to 2.5″ Mini or Standard SSDs
  • 10-Bit 4:2:2 ProRes & DNxHR Encoding
  • Single Sony L-Series Battery slot

KSh142,600.00 (KSh165,416.00 inc VAT)

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Description

If you’re shooting with an 8K camera, then why not record in 8K raw format using the Ninja V+ 5.2″ 8K HDMI H.265 Raw Recording Monitor from Atomos. The Ninja V+ is the same on-camera monitor/recorder as its predecessor the Ninja V 5″, but the Ninja+ now features a 5.2″ display and records and plays back up to 8K raw video to and from purpose-built mini-SSDs.

The Ninja V+ can record Apple ProRes raw up to 8K30 or DCI 4K120 directly from the sensor, and it is compatible with select cameras such as the Canon R5. It also includes a H.265 free-to-download license to record with the high-quality, low-bandwidth codec for up to 10-bit recording in ProRes 4:2:2. Display features include a 10-bit screen with a brightness of 1000 cd/m² AtomHDR technology for accurate monitoring of your log gamma footage, and support for popular log formats from Sony, ARRI, Canon, JVC, Panasonic, Nikon, RED, Sony, and Z CAM cameras.

Built to withstand the rigors of production, the Ninja V+ features an aluminum chassis and powers from a single L-series battery. Additional features include a variety of on-screen exposure analysis, framing, anamorphic de-squeeze, and focus assist tools. Separately available AtomX SDI, AtomX SYNC, Connect 4K modules, and an SDI Raw license key further expand your Ninja V+ capabilities.

New in the Ninja V+

  • A new chip supports higher frame rates and resolutions
  • ProRes raw recording over HDMI up to 4K120 with Z Cam E2 and E2-M4
  • ProRes raw recording over HDMI up to 8K30 with cameras such as the Canon R5 (more camera integrations coming from mid-2021)
  • H.265 free-to-download license to provide 10-bit recordings in 4:2:2, 8-bit recordings in 4:2:2 and 4:2:0
    XQ: Bit rates up to 350 Mb/s
    MQ: Bit rates up to 200 Mb/s
    LQ: Bit rates up to 100 Mb/s

5″ Daylight Viewable Screen

The Ninja V+ features a 5.2″ IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color-calibrated from the factory to ensure accurate image representation.

Recording Codecs Including Raw over HDMI

  • Record Apple ProRes and ProRes Raw with select cameras at rates up to 8K30 with select cameras and up to DCI 4K120
  • Enables ProRes Raw capture with smaller, more cost-effective, mirrorless cameras
  • Avid DNx compatibility enables wide camera and editing software compatibility.

Bright 5.2″ Display with AtomHDR

  • Display ten+ stops of dynamic range of your camera’s log image with AtomHDR
  • 1920 x 1080 display with 1000 cd/m² brightness for daylight viewing
  • 10-bit color processing and user calibration
  • Supports custom LUTs.

DSLR and Mirrorless Camera Support

Compatible with virtually any HDMI source including cameras from:
ARRI, Canon, FUJIFILM, Nikon, Panasonic, RED, Olympus, Sony, and Z-CAM.

8K30 and 4K120 Capabilities

Record 8K30 or DCI/UHD 4K ProRes raw at rates up to 120 fps, including 24 and 25 fps for a more filmlike aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with 10-bit 4:2:2 chroma subsampling. A variety of bit rates are available to fit your project and storage needs.

SSD Recording

Record to standard 2.5″ SSD drives or to compact AtomX SSDmini drives offering up to 2TB storage. SSDmini drives offer read speeds up to 550 MB/s and write speeds up to 500 MB/s, capturing up to 150 minutes of 4K video on a 1TB drive.

User Calibration

Calibrate with the separately available X-Rite i1 Display Pro tool to maintain optimal color accuracy.

Anamorphic De-Squeeze

The Ninja V+ supports anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with 2x, 1.5x, 1.33x, or Panasonic 8:3 ratios.

Selectable Markers

A wide variety of frame lines include standard versions plus 1:1, 4:5, 1:91:1, and 9:16 options.

Game Capture

Simple, standalone solution for UHD 4K, HDR, and high frame rate game capture and review.

Audio Input/Output

Input/output audio via HDMI or add external audio via the 3.5mm Line In/Mic In port; output audio using the 3.5mm headphone port for convenient audio monitoring.

Optional Expansion Modules

  • AtomX SDI Module for 12G-SDI input and output and HDMI/SDI cross conversion for up to 8K30 ProRes raw video
  • SDI Raw activation key
  • AtomX SYNC for wirelessly synced, timecoded multicamera capture
  • Atomos Connect 4K for HDMI to USB conversion for streaming up to 1080p60
  • SDI Raw is now supported on Sony FS700, F5, and FS5 cameras as of firmware update 10.71.

Supported Log Formats

  • ARRI Log C
  • Canon C-Log, C-Log 2
  • FUJIFILM F-Log
  • JVC J-Log
  • Nikon N-Log
  • Panasonic V-Log
  • RED LogFilm
  • Sony SLog2, SLog3

HDR Recording (Gamut)

  • ARRI Log CEI160, CEI200, CEI250, CEI320,
  • ARRI LogCEI400, CEI500, CEI640, CEI800
  • ARRI LogCEI1000, CEI1280, CEI1600
  • Canon C-Log, C-Log 2, C-Log3
  • FUJIFILM F-Log
  • HLG
  • JVC J-Log1
  • Nikon N-Log PQ10K
  • Panasonic V-Log
  • RED LogFilm, RG310, RG312
  • Sony SLog2, SLog3

HDR Monitoring (Gamma)

  • ARRI ALEXA Wide Gamut
  • BT.2020
  • Canon Cinema, DCI P3, DCI P3+, BT2020
  • JVC LS300
  • Nikon N-Log PQ10K
  • Panasonic V-Gamut
  • Rec. 709
  • RED DRAGONcolor, DRAGONcolor2
  • REDcolor2, REDcolor3, REDcolor4
  • REDWideGamut
  • Sony S-Gamut, S-Gamut3, S-Gamut3.Cine
  • Sony SLog2, SLog3

HDR Monitoring (Gamut)

  • ARRI ALEXA Wide Gamut (mapping to Rec. 709/BT.2020/DCI-P3 on loop-out)
  • BT.2020
  • Canon Cinema
  • DCI-P3, DCI-P3+
  • Panasonic V-Gamut
  • Rec. 709
  • RED DRAGONcolor, DRAGONcolor2
  • REDcolor2, REDcolor3, REDcolor4
  • REDWideGamut
  • Sony S-Gamut, S-Gamut3, S-Gamut3.Cine

Time-Lapse

Record a time-lapse video as a single file. Available in ProRes, DNx, and ProRes Raw over HDMI or SDI. Time-lapse sequence options include:

  • Number of frames/seconds captured
  • Intervals between frames/seconds/minutes/hours
  • Duration of sequence in frames/seconds/minutes/hours

Monitior Leica L-Log Gamma in BT2020 Gamut

  • Supports Leica SL 25 only
  • Support for other models available in future updates

Additional information

Features & Benefits
Touch screen

Yes

Imaging/ Image Sensor
Aspect Ratio

16:9

Pixel Pitch

423 ppi

Bit Depth

8-Bit+FRC (1.07 Billion Colors)

Image Controls

Anamorphic De-Squeeze
Blue Only
False Color
Focus Peaking
Pixel Zoom
RGB Parade
Scaling
Vectorscope
Waveform
Zebra

Viewfinder & Display
Display Type

IPS-Type LCD

Display Screen

5.2" / 13.2 cm

Display Resolution

1920 x 1080

Recording
Video Format

1080i: 60/59.94/50/30/29.97/25/24/23.98
1080p: 120/60/50/30/25/24
1080PsF
4K Raw: 120/100/60/59.94/50/30/29.97/25/24/23.98
5K Raw:30
6K Raw:30
720p: 60/50
720p: 60/59.94/50
8K Raw: 30
DCI 4K: 120/100/60/59.94/50/30/29.97/25/24/23.98
HDMI (8/10-Bit 4:2:2)

Gamma Curve

Rec709

Receiver
Mounting Options

2 x 3/8"-16 Female

Audio
Built-in Speaker

None

Audio Inputs

1 x 1/8" / 3.5 mm Headphone Output
1 x 1/8" / 3.5 mm Mic/Line Input

Interface
Other I/O

1 x LANC (2.5 mm)

Environmental
Operating Temperature

104°F / 40°C

General
Embedded Audio

HDMI: 2-Channel
HDMI: 8-Channel

Power
DC Input Power

5.8 to 7.2 VDC

Power Consumption

10 W (Typical)
22 W (Maximum)

Power Connectors

1 x D-Tap Input

Battery Type

1 x L-Series

Physical
Dimensions

5.9 x 3.6 x 1.2" / 151 x 91.5 x 31.5 mm

Weight

12.7 oz / 360 g

Material of Construction

Polycarbonate
Aluminum

Projector
Brightness

1000 cd/m2

Packaging Information
Box Dimensions (LxWxH)

10.7 x 7.1 x 4.7"

Package Weight

3.575 lb

More
Video Inputs

1 x HDMI Type A (HDMI 2.0) Input
1 x HDMI Type A (HDMI 2.0) Output

If you find any inaccurate information above please let us know.

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